1970s - 2000s
Gahan Wilson, 1970
Herb Arnold illustration, Gary Gore design, 1971
Herb Arnold, 1971
Herb Arnold, 1972
Herb Arnold, 1974
Tim Kirk, 1975
Stephen E. Fabian, 1977
Jason Van Hollander, 1980
Raymond Bayless, 1985
Raymond Bayless, 1986
Raymond Bayless, 1986
Raymond Bayless, 1989
Jeffrey K. Potter, 1993
Bob Eggleton, 1995
Allen Koszowski, 1999
Alan Fore, 2002
Keith Minnion, 2004
Colophon for Arkham House designed by Frank Utpatel
Friday, June 27, 2008
Tuesday, June 24, 2008
The Art of Arkham House (Part 2)
1950s:
Ronald Clyne, 1952
Ronald Clyne, 1957
Frank Utpatel, 1958
Richard Taylor, 1958
Richard Taylor, 1958
1960s:
Richard Taylor, 1962
Richard Taylor, 1962
Richard Taylor, 1963
Lee Brown Coye, 1963
Lee Brown Coye, 1964
Frank Utpatel, 1964
(what's up with the typography on this one?!)
Lee Brown Coye, 1965
Frank Utpatel, 1966
Frank Utpatel, 1967
Lee Brown Coye, 1969
Coming soon-- Part 3
Ronald Clyne, 1952
Ronald Clyne, 1957
Frank Utpatel, 1958
Richard Taylor, 1958
Richard Taylor, 1958
1960s:
Richard Taylor, 1962
Richard Taylor, 1962
Richard Taylor, 1963
Lee Brown Coye, 1963
Lee Brown Coye, 1964
Frank Utpatel, 1964
(what's up with the typography on this one?!)
Lee Brown Coye, 1965
Frank Utpatel, 1966
Frank Utpatel, 1967
Lee Brown Coye, 1969
Coming soon-- Part 3
Monday, June 23, 2008
The Art of Arkham House (Part 1)
Arkham House is a “small press” publisher of what is sometimes referred to as “weird fiction”. Founded in 1939 by writers August Derleth and Donald Wandrei, Arkham House was created to publish in hardcover the work of H. P. Lovecraft (1890-1937). Creator of what has come to be known as The Cthulhu Mythos, Lovecraft is today widely recognized as one of the most influential writers of horror fiction, but at the time of his death, his work had mainly been seen only in the pages of pulp magazines such as Weird Tales. Derleth and Wandrei were determined to keep Lovecraft’s work from fading away over time, and in 1939 published a collection of Lovecraft’s work under the title The Outsider and Others. The name Arkham House is derived from Lovecraft’s fictitious town of that name, located somewhere in Massachusetts.
Virgil Finlay, 1939
Since 1939, Arkham House has published over 200 titles: all of Lovecraft’s work (including five volumes of his letters), and that of a number of other writers as well. Many of these writers have also achieved wide recognition and success over the years, in no small part due to the vision and dedication of Derleth and Wandrei. Writers published by Arkham House include Robert Bloch, Ray Bradbury, Robert E. Howard, Brian Lumley, Ramsey Campbell, Algernon Blackwood, Clark Ashton Smith, Frank Belknap Long, J. G. Ballard, Lucius Shepard, and many, many more.
Arkham House was a labor of love. In 1970, Derleth noted, “…the fact is that in no single year since its founding have the earnings of Arkham House met the expenses, so that it has been necessary for my personal earnings to shore up Arkham House finances.” Derleth died in 1971; the publishing house still exists, but has gone through a number of hands since his death and really is a shadow of its former self.
Arkham house books are known for the quality of their printing and binding, and the dust jackets for their books have a certain look to them that plays an important part of the over-all appeal that these books have to their collectors (myself included—I am the proud owner of over forty Arkham House titles, going back to Lovecraft’s Something About Cats, published in 1949).
Obviously, Arkham House was working with a limited budget when it came to producing artwork for their books—although you will see the occasional full-color dust jacket, for the most part what you will see is art that is limited to one or two colors. However, the publishers were as discerning in their selection of artists as they were in their selection of writers. These designers and illustrators, working within the confines dictated by budgetary concerns, routinely produced work of a very high quality. Arkham House worked with a number of artists over the years. Some are fairly well know to this day; others less so.
I will be presenting a series of posts featuring this wonderful artwork, starting with 1939 through the decade of the1940s. Stay tuned for more!
Ronald Clyne, 1945
Ronald Clyne, 1945
Hannes Bok, 1946
Ronald Clyne, 1946
Hannes Bok, 1946
Ronald Clyne, 1949
Virgil Finlay, 1939
Since 1939, Arkham House has published over 200 titles: all of Lovecraft’s work (including five volumes of his letters), and that of a number of other writers as well. Many of these writers have also achieved wide recognition and success over the years, in no small part due to the vision and dedication of Derleth and Wandrei. Writers published by Arkham House include Robert Bloch, Ray Bradbury, Robert E. Howard, Brian Lumley, Ramsey Campbell, Algernon Blackwood, Clark Ashton Smith, Frank Belknap Long, J. G. Ballard, Lucius Shepard, and many, many more.
Arkham House was a labor of love. In 1970, Derleth noted, “…the fact is that in no single year since its founding have the earnings of Arkham House met the expenses, so that it has been necessary for my personal earnings to shore up Arkham House finances.” Derleth died in 1971; the publishing house still exists, but has gone through a number of hands since his death and really is a shadow of its former self.
Arkham house books are known for the quality of their printing and binding, and the dust jackets for their books have a certain look to them that plays an important part of the over-all appeal that these books have to their collectors (myself included—I am the proud owner of over forty Arkham House titles, going back to Lovecraft’s Something About Cats, published in 1949).
Obviously, Arkham House was working with a limited budget when it came to producing artwork for their books—although you will see the occasional full-color dust jacket, for the most part what you will see is art that is limited to one or two colors. However, the publishers were as discerning in their selection of artists as they were in their selection of writers. These designers and illustrators, working within the confines dictated by budgetary concerns, routinely produced work of a very high quality. Arkham House worked with a number of artists over the years. Some are fairly well know to this day; others less so.
I will be presenting a series of posts featuring this wonderful artwork, starting with 1939 through the decade of the1940s. Stay tuned for more!
Ronald Clyne, 1945
Ronald Clyne, 1945
Hannes Bok, 1946
Ronald Clyne, 1946
Hannes Bok, 1946
Ronald Clyne, 1949
Sunday, June 15, 2008
Chladni Patterns, Cymatics, Mandalas, etc.
The image that I presented on June 7 and 10 is a series of pictures of Chladni patterns. These patterns are produced by different frequencies of sound. (To see this in action, take a look at the above video.)
Chladni was an 18th century musician and physicist who was instrumental in the development of acoustics, which is the science of sound. Sound is made of physical vibration. (Perhaps you have heard the windows of your house rattle as a result of a car with a very loud sound system with subwoofers going down your street. Thunder will produce a similar effect.) Chladni found a very interesting way to demonstrate the physical qualities of sound—by drawing a violin bow across a plate sprinkled with sand, he produced patterns and shapes that are now known as Chladni patterns (or figures).
The science of the visualization of waves, particularly sound waves, has come to be known as cymatics, a term coined by Swiss scientist Hans Jenny (1904-1972). Jenny conducted a wide range of experiments with the way that sound affects different substances, and was able to produce Chladni patterns by using oscillators and even the human voice. Here is a photograph of a human voice pronouncing the vowel “A” (as seen in the previous post on this blog, where you will also see Chadni patterns in a drop of water and a coffee cup).
Oftentimes these Chladni patterns form mandalas or similar patterns. The word mandala comes from the classical Indian language of Sanskrit, and loosely translated, means circle. Mandalas have been produced in many forms throughout human history all around the world, from the classic Buddhist mandalas (again, see previous post), to Navaho sand paintings, the Aztec Sun Stone (a.k.a. Aztec calendar stone), and even the swastika, which is thousands of years old, and again, is seen in various forms in cultures all over the world.
Aztec Sun Stone, 1479
Mandalas are also seen in the natural world, from things like tree rings and flowers, all the way to the shape of galaxies. The natural world also provides us with that which is known as the “golden ratio”, which can be seen in things like the Nautilus shell, leaves, crystalline structure, etc. The golden ratio has also been used in art and architecture for hundreds and even thousands of years.
Nautilus shell, cross-section
Notre Dame de Paris, 1163-1345
Notre Dame de Paris
The circle itself is one of humankind’s earliest symbols, and is a mandala in its simplest form. The swastika developed from a circle overlaid with a cross. These symbols go back tens and even perhaps hundreds of thousands of years.
The circle, the cross, and the mandala in nature and in art are inextricably intertwined. These forms in many variations also exist in the vibrations of sound, as seen so clearly in Chladni patterns. The interconnectedness of the natural world is truly amazing. Although mathematics, science, and modern technology give us a deeper understanding of these phenomena, they have been part of human culture since the dawn of time.
Tuesday, June 10, 2008
Clues to June 7th post
The other day, I posted this picture, and asked if anyone could identify what it was.
I had one response-- they guessed that it was a quilt. Wrong. Not even close.
So what is this very intriguing series images?
Here are some visual clues:
I would enjoy hearing from some more of my readers-- take a guess!
I had one response-- they guessed that it was a quilt. Wrong. Not even close.
So what is this very intriguing series images?
Here are some visual clues:
I would enjoy hearing from some more of my readers-- take a guess!
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